"I enjoy being the sole vendor because we're quite involved with the preplanning stage, working directly with the director Wes Ball and setting it up so that everything works well with what we're doing,” remarks Weta Digital VFX Supervisor Chris White when discussing Maze Runner: The Death Cure, which involved producing 678 visual effects shots. "It allows us to focus on all of the aspects of the film, and in terms of dividing up the work we had additional sequence visual effects supervisors Daniel Macarin and Phillip Leonhardt.”
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